IndieWire

Attention Capital founder Josh Stein explains why audiences are now a measurable asset class.

Exclusive: Jane Schoenbrun will direct Hannah Einbinder and Gillian Anderson, stars of their upcoming meta slasher film, in a live reading of the 2002 cult classic presented in partnership by Film Independent and MUBI.

Georgia Bernstein's admirably bizarre debut feature makes a strong impression but fails to leave a lasting impact.

Exclusive: Antenna Releasing will present Pellington's documentary on the groundbreaking current affairs series in nationwide roadshow engagements.

Following a recent widow trying to restart her life with a little help from her friends (and a ginormous oceanfront mansion), Peacock's adaptation of Erin Hilderbrand's novel can be the kind of silly, stupid hang worth savoring, when it's not adrift in prosaic melodrama — and sometimes, even when it is.

Keegan-Michael Key voices a children's TV character who isn't what he seems in Casper Kelly's Sundance hit.

The controversial Cannes premiere, which stars Michael Fassbender and Alicia Vikander, hits theaters on September 9.

Inspired by Laura Ingalls Wilder's 1935 novel (and indebted to NBC's '70s TV series), Netflix's adaptation follows the Ingalls family as they head for Kansas to stake a claim on their own American homestead, only to discover their brightest future waits beyond those fabricated walls.

The 2026 Emmy nominations led to plenty of snubs, surprises, and insights into what contributes to a show or performer becoming a TV awards contender nowadays.

Systems are merely plumbing: they don’t create the outcomes you want, they make it easier for those outcomes to emerge naturally.

Filmmaker V. Trent tells IndieWire about the rare IMAX 70mm trailer footage from "Star Wars Episode II: Attack of the Clones" that fell into his possession — and how he manually scanned it to preserve the footage for future generations.

At this year's Sundance, David Wain, Ken Marino, and the film's star-studded ensemble cast visited the IndieWire Studio, presented by Dropbox, to discuss one of the festival's funniest films.

Renfroe explains that steering clear of either extreme allows him to deliver a sincere sitcom that can be both hilarious and heartbreaking.

Hoffman appeared on IndieWire's Craft Roundtables to explain the madness that went into the season's most unclassifiable comedy.

IndieWire digs into the Who, the What, the Where, and the When of how shows get nominated for Emmys.

At IndieWire's Craft Roundtables, Reid explained why Candy's films provided a perfect blueprint for a feature-length documentary about his life.

Stunt coordinators and second unit directors tell IndieWire which shows deliver the most thrilling action in 2026.

The partnership gives brands new ways to fund digital-first animated franchises while offering creators a path to bigger budgets, broader distribution, and faster monetization.

Brothers and directors Arturo and Roy Ambriz tell IndieWire about the difficult financing process — including mortgaging their family home — for the Netflix animated movie inspired by "the suffering that we faced trying to produce our films."

Jenkin and MacKay take IndieWire inside the eerie filmmaking tricks behind their Cornish maritime ghost story: shooting under 30 seconds per take with a 16mm Bolex camera, and recording literally all the sound in post-production.