Guardian film news
Latest Articles
Russian director refuses to denounce lead actor despite criticism from Ukraine
Ilya Khrzhanovsky’s DAU, about physicist Lev Landau, stars Russian conductor Teodor Currentzis, who has refused to speak out against Putin’s warThe director of a controversial new Russian film has said “everyone pays for his own choice” when asked about his lead’s refusal to condemn Russia’s war in Ukraine.In film-maker Ilya Khrzhanovsky’s DAU, which premiered at the Venice film festival on Wednesday, Greek-Russian star conductor Teodor Currentzis plays the eponymously nicknamed protagonist, Nob
0
6
Union Town review – passionate exposé of US delivery workers’ employment conditions
Venice film festival: Barbara Kopple returns with her third film investigating US workers’ rights – this time, undocumented ‘deliveristas’ and the attempts to unionise Amazon staffBarbara Kopple’s documentary about app-based delivery workers is a stirring, defiant, battle-hardened affair, swinging between the fraught picket line and the still more hazardous New York City streets. It’s a new film that feels old in the best sense of the word; a hoarse battle cry that summons the ghosts of The Grap
0
4
DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character
Venice film festival: The director’s bleak epic project about the scientist Lev Landau finally focuses on the genius maudit who inspired the seriesHow would it be if Christopher Nolan got sidetracked while making Oppenheimer, and decided to spend 20 years and millions of dollars of other people’s money reconstructing the Los Alamos HQ in all its minute detail, which would be the site of a gigantic immersive multimedia project, releasing epic and sexually explicit sidebar movies about … someone w
0
3
The Uprising review – the peasants are revolting in muddled historical epic
Andrew Garfield’s charisma can’t save Paul Greengrass’s grim and depressingly generic period pieceHollywood loves giving young actors their own historical epic as much as audiences seem to dislike watching them. Timothée Chalamet and Chris Pine’s least remembered roles are in the medieval set films The King and Outlaw King (no relation), Ridley Scott’s The Last Duel made back only a third of its $100m budget and earlier this year, the Saudi-backed seventh-century drama Desert Warrior starring An
0
3
Call My Agent! The Movie review – the gang get back together and c’est formidable
The screwball French comedy is back as a film that actually works, thanks to putting Andréa and Noémie at the heart of chaotic events and bringing all the old faces backAt last: a beloved-TV-show-to-film-spinoff that doesn’t suck! The original French series is a screwball-speed office comedy about a boutique Parisian talent agency, and was a ratings and critical success in its homeland when it started back in 2015. Its acquisition by Netflix grew the audience internationally and spawned a stable
0
3
Inglourious baristas: why is Brad Pitt making coffee for 16 abusive dogs?
In new film The Heart of the Beast, the A-lister’s bond with his loyal mutt proves crucial. In Spike Jonze’s new advert, Pitt is rather more subservient Brad Pitt has a new movie out this month, The Heart of the Beast, about an emotionally damaged man who forms a life-saving bond with a dog. If that sounds familiar, maybe it is because you have seen The Call of the Wild. Or maybe it is because you have seen A Dog’s Way Home. Or maybe it is because you have seen Dog. Or, look, you get the idea.Bu
0
3
Blue Film review – polarising sex worker drama is well-acted and deeply disturbing
A camboy meets up with a convicted paedophile who turns out to be his old English teacher in Elliot Tuttle’s uncomfortable dramaThere have reportedly been audience walk-outs at screenings of this indie drama from young American film-maker Elliot Tuttle, a two-hander about a sex worker hired for the night by his former English teacher, a convicted paedophile. In interviews Tuttle has said his film was rejected by several major festivals. What makes it so uncomfortable is not the sex; mostly what
0
3
Andrew Garfield takes on Sam Altman in creepy first teaser for Artificial
Luca Guadagnino-directed film will be released by Neon after being dropped by Amazon amid OpenAI partnershipBig tech goes to Hollywood: is Silicon Valley ready for a silver-screen reckoning?The first teaser trailer of Luca Guadagnino’s Artificial has been released.After being dropped by Amazon MGM Studios in June, the biopic of the OpenAI tech executive Sam Altman will be released in the US on 25 December by Neon after it premieres at the New York film festival this October. Continue reading...
0
3
‘It’s not good to walk through the world feeling like prey’: Thelma & Louise’s writer on turning a movie classic into a musical
It was her very first film and it won her an Oscar. But can Callie Khouri now make it work on stage with songs? She talks about the outrages that made her write it – and how little has changed since‘I have a world-class case of beginner’s luck,” says Callie Khouri, who won an Oscar for her very first screenplay, Thelma & Louise. She also scored a hit with her first TV series, Nashville, which lasted six seasons. And at 68, she is taking on another first by penning a musical theatre version of Th
0
3
Susan Sarandon says she is losing movie roles because of her support for Palestine
Oscar-winning actor says she and other outspoken critics of Israel have found it ‘impossible’ to get hired by major studiosThe Oscar-winning actor Susan Sarandon has said she is still losing work because of her outspoken support for Palestinians, despite what she described as a broader shift in public opinion against US support for Israel.Speaking at the Venice film festival, where she is promoting her latest movie The Echo Chamber, Sarandon said some parts of the film industry continued to
0
3
‘The first half of my 20s was hell’: Maisie Williams on her tough childhood and why she’s been having more fun since Game of Thrones
After her role in the fantasy series, the actor felt lost. Now she’s getting relationship advice from Sandra Bullock and Nicole Kidman, and following a Sex and the City star’s mantra: never be anywhere you aren’t enjoying yourselfMaisie Williams has dabbled in witchcraft exactly once. The actor was getting ready to audition for a part in a film. “I wanted it so badly that I went on to Etsy, and I paid a witch to manifest me the role,” she says, poker-faced.“It didn’t work, and that was where my
0
3
Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
The Gallagher brothers’ comeback concerts are given the full fan-worship treatment, but it’s impossible to begrudge the euphoria they have created“Hello … hello … It’s good to be back.” With these words – and the unfortunate possibility of a royalty payment to a certain disgraced ex-pop star – this highly enjoyable fan-worship documentary revives the memory of last year’s staggering and already mythic Oasis reunion tour. It also recollects how effortlessly funny the Gallagher brothers are, like
0
5
Robert Pattinson says he had ‘twice as much time’ after birth of first child
Actor says of busy 2026 in which he has had several big roles: ‘Once you start spinning plates, it gets quite addictive’Robert Pattinson has talked about the “addictive” nature of working on several films simultaneously, having starred in several of this year’s most highly anticipated productions, despite recently becoming a father for the first time.“Once you get the momentum going, it’s strangely not that hard,” said Pattinson at the Venice film festival. “Once you start spinning plates, it ge
0
4
A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western
Telluride film festivalIn a remote Colorado farmstead, a family with a mother gone missing finds a strange buoyancy and freedom as they wait for the snows to meltAndrew Haigh’s mysterious and beautiful new film is adapted by him from the 2006 story by Colm Tóibín, transplanting the action from the 1930s Spanish Pyrenees to the wintry, vertiginous landscapes of Colorado about the time of the Korean war. It is a poignant, subversive study of grief and desire, and the terrible, infantilised lonelin
0
4
Tender Loving Care review – Mike Leigh’s tender and elusive study of love and mortality
Telluride film festivalAlice Bailey Johnson and Kate O’Flynn lead a complicated, quietly heartbreaking drama about friendship, ageing parents and the sadness of lives moving inexorably onMike Leigh’s new film – perhaps his last – is a poignant, intergenerational drama of happy-sad acceptance that life goes on, until it doesn’t go on. And then you have to come to terms with the mortality of your elderly parents and by that same token, with the end that is waiting for you too. The decency and clar
0
4
Act 3 review – queer art history and life reflections from masters of metatextuality
Telluride film festivalChristine Molloy and Joe Lawlor’s absorbing documentary is a parallel take on their relationship and a nascent drama on artists Claude Cahun and Marcel MooreChristine Molloy and Joe Lawlor are artists and film-makers from Ireland who have created eerie and suspenseful psychological dramas in parallel with a strand of complex and self-questioning essay movies. They explore ideas about history and identity, ruminating on their creative selves and metatextually examining (or
0
4
‘Like a tired boxer, battered by applause’: as Andrew Scott’s biopic premieres, Richard Eyre remembers Ian Charleson’s superb, near-death Hamlet
In 1989, the Chariots of Fire actor took on the incredible task of playing Shakespeare’s prince while terminally ill from Aids. This weekend sees the world premiere of Elsinore, a new film about the episode, itself heavily-tipped for awardsIan Charleson was one of the finest actors of his generation and an important figure in the fight for gay rights. Yet the extraordinary circumstances of his final performance as Hamlet, just months before his death, are less familiar.Now, a new film is bringin
0
4
Latcho Drom director Tony Gatlif dies aged 77
Film-maker acclaimed for his celebrations of Roma culture had been working on a ‘historical film project’ in ProvenceTony Gatlif, the French director of more than 20 films that mostly concentrated on celebrating Roma culture across the world, has died aged 77.His family said in a statement to AFP that Gatlif died on Wednesday of “a health issue” while working on a “historical film project” in Arles in Provence, France. “The beauty of his films, his generosity, his joy, his poetry, and his love o
0
4
Gal Gadot’s Wonder Woman was one of DC’s few successes. It’s a mystery why she got the chop
James Gunn and Peter Safran’s regime had good reasons to ditch Ben Affleck’s Batman and Henry Cavill’s Superman. Other choices have been much harder to fathomThere was never going to be a completely painless way to break up the old DC gang. Warner Bros’ DC Extended Universe probably needed to be ruthlessly ripped apart in order to create space for James Gunn and Peter Safran’s brand-new DCU. We almost certainly did need a clean break from the likes of Ben Affleck (Batman) and Henry Cavill (Super
0
4
‘If you can’t understand what sex is, it’s irrelevant if you seem to be enjoying it’: how Queen at Sea upended the dementia drama
Lance Hammer’s first film in 18 years is a heart-wrenching masterpiece about family, mental decline and sexual consent. He and supporting actor Juliette Binoche discuss how they brought unabashed realism to a condition rarely seen on screenThe first time we see Martin and Leslie, the elderly couple at the centre of Lance Hammer’s wrenching new film, Queen at Sea, they are walking together up a set of stone steps: one of their regular outings, we assume, in days filled with pottering and quiet co
0
3
Russian director refuses to denounce lead actor despite criticism from Ukraine
Ilya Khrzhanovsky’s DAU, about physicist Lev Landau, stars Russian conductor Teodor Currentzis, who has refused to speak
0
6
Union Town review – passionate exposé of US delivery workers’ employment conditions
Venice film festival: Barbara Kopple returns with her third film investigating US workers’ rights – this time, undocumen
0
4
DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character
Venice film festival: The director’s bleak epic project about the scientist Lev Landau finally focuses on the genius mau
0
3
The Uprising review – the peasants are revolting in muddled historical epic
Andrew Garfield’s charisma can’t save Paul Greengrass’s grim and depressingly generic period pieceHollywood loves giving
0
3
Call My Agent! The Movie review – the gang get back together and c’est formidable
The screwball French comedy is back as a film that actually works, thanks to putting Andréa and Noémie at the heart of c
0
3
Inglourious baristas: why is Brad Pitt making coffee for 16 abusive dogs?
In new film The Heart of the Beast, the A-lister’s bond with his loyal mutt proves crucial. In Spike Jonze’s new advert,
0
3
Blue Film review – polarising sex worker drama is well-acted and deeply disturbing
A camboy meets up with a convicted paedophile who turns out to be his old English teacher in Elliot Tuttle’s uncomfortab
0
3
Andrew Garfield takes on Sam Altman in creepy first teaser for Artificial
Luca Guadagnino-directed film will be released by Neon after being dropped by Amazon amid OpenAI partnershipBig tech goe
0
3
‘It’s not good to walk through the world feeling like prey’: Thelma & Louise’s writer on turning a movie classic into a musical
It was her very first film and it won her an Oscar. But can Callie Khouri now make it work on stage with songs? She talk
0
3
Susan Sarandon says she is losing movie roles because of her support for Palestine
Oscar-winning actor says she and other outspoken critics of Israel have found it ‘impossible’ to get hired by major stud
0
3
‘The first half of my 20s was hell’: Maisie Williams on her tough childhood and why she’s been having more fun since Game of Thrones
After her role in the fantasy series, the actor felt lost. Now she’s getting relationship advice from Sandra Bullock and
0
3
Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
The Gallagher brothers’ comeback concerts are given the full fan-worship treatment, but it’s impossible to begrudge the
0
5
Robert Pattinson says he had ‘twice as much time’ after birth of first child
Actor says of busy 2026 in which he has had several big roles: ‘Once you start spinning plates, it gets quite addictive’
0
4
A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western
Telluride film festivalIn a remote Colorado farmstead, a family with a mother gone missing finds a strange buoyancy and
0
4
Tender Loving Care review – Mike Leigh’s tender and elusive study of love and mortality
Telluride film festivalAlice Bailey Johnson and Kate O’Flynn lead a complicated, quietly heartbreaking drama about frien
0
4
Act 3 review – queer art history and life reflections from masters of metatextuality
Telluride film festivalChristine Molloy and Joe Lawlor’s absorbing documentary is a parallel take on their relationship
0
4
‘Like a tired boxer, battered by applause’: as Andrew Scott’s biopic premieres, Richard Eyre remembers Ian Charleson’s superb, near-death Hamlet
In 1989, the Chariots of Fire actor took on the incredible task of playing Shakespeare’s prince while terminally ill fro
0
4
Latcho Drom director Tony Gatlif dies aged 77
Film-maker acclaimed for his celebrations of Roma culture had been working on a ‘historical film project’ in ProvenceTon
0
4
Gal Gadot’s Wonder Woman was one of DC’s few successes. It’s a mystery why she got the chop
James Gunn and Peter Safran’s regime had good reasons to ditch Ben Affleck’s Batman and Henry Cavill’s Superman. Other c
0
4
‘If you can’t understand what sex is, it’s irrelevant if you seem to be enjoying it’: how Queen at Sea upended the dementia drama
Lance Hammer’s first film in 18 years is a heart-wrenching masterpiece about family, mental decline and sexual consent.
0
3
Russian director refuses to denounce lead actor despite criticism from Ukraine
Ilya Khrzhanovsky’s DAU, about physicist Lev Landau, stars Russian conductor Teodor Currentzis, who has refused to speak out against Putin’s warThe director of a controversial new Russian film has said “everyone pays for his own choice” when asked about his lead’s refusal to condemn Russia’s war in Ukraine.In film-maker Ilya Khrzhanovsky’s DAU, which premiered at the Venice film festival on Wednesday, Greek-Russian star conductor Teodor Currentzis plays the eponymously nicknamed protagonist, Nob
0
6 👁
Union Town review – passionate exposé of US delivery workers’ employment conditions
Venice film festival: Barbara Kopple returns with her third film investigating US workers’ rights – this time, undocumented ‘deliveristas’ and the attempts to unionise Amazon staffBarbara Kopple’s documentary about app-based delivery workers is a stirring, defiant, battle-hardened affair, swinging between the fraught picket line and the still more hazardous New York City streets. It’s a new film that feels old in the best sense of the word; a hoarse battle cry that summons the ghosts of The Grap
0
4 👁
DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character
Venice film festival: The director’s bleak epic project about the scientist Lev Landau finally focuses on the genius maudit who inspired the seriesHow would it be if Christopher Nolan got sidetracked while making Oppenheimer, and decided to spend 20 years and millions of dollars of other people’s money reconstructing the Los Alamos HQ in all its minute detail, which would be the site of a gigantic immersive multimedia project, releasing epic and sexually explicit sidebar movies about … someone w
0
3 👁
The Uprising review – the peasants are revolting in muddled historical epic
Andrew Garfield’s charisma can’t save Paul Greengrass’s grim and depressingly generic period pieceHollywood loves giving young actors their own historical epic as much as audiences seem to dislike watching them. Timothée Chalamet and Chris Pine’s least remembered roles are in the medieval set films The King and Outlaw King (no relation), Ridley Scott’s The Last Duel made back only a third of its $100m budget and earlier this year, the Saudi-backed seventh-century drama Desert Warrior starring An
0
3 👁
Call My Agent! The Movie review – the gang get back together and c’est formidable
The screwball French comedy is back as a film that actually works, thanks to putting Andréa and Noémie at the heart of chaotic events and bringing all the old faces backAt last: a beloved-TV-show-to-film-spinoff that doesn’t suck! The original French series is a screwball-speed office comedy about a boutique Parisian talent agency, and was a ratings and critical success in its homeland when it started back in 2015. Its acquisition by Netflix grew the audience internationally and spawned a stable
0
3 👁
Inglourious baristas: why is Brad Pitt making coffee for 16 abusive dogs?
In new film The Heart of the Beast, the A-lister’s bond with his loyal mutt proves crucial. In Spike Jonze’s new advert, Pitt is rather more subservient Brad Pitt has a new movie out this month, The Heart of the Beast, about an emotionally damaged man who forms a life-saving bond with a dog. If that sounds familiar, maybe it is because you have seen The Call of the Wild. Or maybe it is because you have seen A Dog’s Way Home. Or maybe it is because you have seen Dog. Or, look, you get the idea.Bu
0
3 👁
Blue Film review – polarising sex worker drama is well-acted and deeply disturbing
A camboy meets up with a convicted paedophile who turns out to be his old English teacher in Elliot Tuttle’s uncomfortable dramaThere have reportedly been audience walk-outs at screenings of this indie drama from young American film-maker Elliot Tuttle, a two-hander about a sex worker hired for the night by his former English teacher, a convicted paedophile. In interviews Tuttle has said his film was rejected by several major festivals. What makes it so uncomfortable is not the sex; mostly what
0
3 👁
Andrew Garfield takes on Sam Altman in creepy first teaser for Artificial
Luca Guadagnino-directed film will be released by Neon after being dropped by Amazon amid OpenAI partnershipBig tech goes to Hollywood: is Silicon Valley ready for a silver-screen reckoning?The first teaser trailer of Luca Guadagnino’s Artificial has been released.After being dropped by Amazon MGM Studios in June, the biopic of the OpenAI tech executive Sam Altman will be released in the US on 25 December by Neon after it premieres at the New York film festival this October. Continue reading...
0
3 👁
‘It’s not good to walk through the world feeling like prey’: Thelma & Louise’s writer on turning a movie classic into a musical
It was her very first film and it won her an Oscar. But can Callie Khouri now make it work on stage with songs? She talks about the outrages that made her write it – and how little has changed since‘I have a world-class case of beginner’s luck,” says Callie Khouri, who won an Oscar for her very first screenplay, Thelma & Louise. She also scored a hit with her first TV series, Nashville, which lasted six seasons. And at 68, she is taking on another first by penning a musical theatre version of Th
0
3 👁
Susan Sarandon says she is losing movie roles because of her support for Palestine
Oscar-winning actor says she and other outspoken critics of Israel have found it ‘impossible’ to get hired by major studiosThe Oscar-winning actor Susan Sarandon has said she is still losing work because of her outspoken support for Palestinians, despite what she described as a broader shift in public opinion against US support for Israel.Speaking at the Venice film festival, where she is promoting her latest movie The Echo Chamber, Sarandon said some parts of the film industry continued to
0
3 👁
‘The first half of my 20s was hell’: Maisie Williams on her tough childhood and why she’s been having more fun since Game of Thrones
After her role in the fantasy series, the actor felt lost. Now she’s getting relationship advice from Sandra Bullock and Nicole Kidman, and following a Sex and the City star’s mantra: never be anywhere you aren’t enjoying yourselfMaisie Williams has dabbled in witchcraft exactly once. The actor was getting ready to audition for a part in a film. “I wanted it so badly that I went on to Etsy, and I paid a witch to manifest me the role,” she says, poker-faced.“It didn’t work, and that was where my
0
3 👁
Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
The Gallagher brothers’ comeback concerts are given the full fan-worship treatment, but it’s impossible to begrudge the euphoria they have created“Hello … hello … It’s good to be back.” With these words – and the unfortunate possibility of a royalty payment to a certain disgraced ex-pop star – this highly enjoyable fan-worship documentary revives the memory of last year’s staggering and already mythic Oasis reunion tour. It also recollects how effortlessly funny the Gallagher brothers are, like
0
5 👁
Robert Pattinson says he had ‘twice as much time’ after birth of first child
Actor says of busy 2026 in which he has had several big roles: ‘Once you start spinning plates, it gets quite addictive’Robert Pattinson has talked about the “addictive” nature of working on several films simultaneously, having starred in several of this year’s most highly anticipated productions, despite recently becoming a father for the first time.“Once you get the momentum going, it’s strangely not that hard,” said Pattinson at the Venice film festival. “Once you start spinning plates, it ge
0
4 👁
A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western
Telluride film festivalIn a remote Colorado farmstead, a family with a mother gone missing finds a strange buoyancy and freedom as they wait for the snows to meltAndrew Haigh’s mysterious and beautiful new film is adapted by him from the 2006 story by Colm Tóibín, transplanting the action from the 1930s Spanish Pyrenees to the wintry, vertiginous landscapes of Colorado about the time of the Korean war. It is a poignant, subversive study of grief and desire, and the terrible, infantilised lonelin
0
4 👁
Tender Loving Care review – Mike Leigh’s tender and elusive study of love and mortality
Telluride film festivalAlice Bailey Johnson and Kate O’Flynn lead a complicated, quietly heartbreaking drama about friendship, ageing parents and the sadness of lives moving inexorably onMike Leigh’s new film – perhaps his last – is a poignant, intergenerational drama of happy-sad acceptance that life goes on, until it doesn’t go on. And then you have to come to terms with the mortality of your elderly parents and by that same token, with the end that is waiting for you too. The decency and clar
0
4 👁
Act 3 review – queer art history and life reflections from masters of metatextuality
Telluride film festivalChristine Molloy and Joe Lawlor’s absorbing documentary is a parallel take on their relationship and a nascent drama on artists Claude Cahun and Marcel MooreChristine Molloy and Joe Lawlor are artists and film-makers from Ireland who have created eerie and suspenseful psychological dramas in parallel with a strand of complex and self-questioning essay movies. They explore ideas about history and identity, ruminating on their creative selves and metatextually examining (or
0
4 👁
‘Like a tired boxer, battered by applause’: as Andrew Scott’s biopic premieres, Richard Eyre remembers Ian Charleson’s superb, near-death Hamlet
In 1989, the Chariots of Fire actor took on the incredible task of playing Shakespeare’s prince while terminally ill from Aids. This weekend sees the world premiere of Elsinore, a new film about the episode, itself heavily-tipped for awardsIan Charleson was one of the finest actors of his generation and an important figure in the fight for gay rights. Yet the extraordinary circumstances of his final performance as Hamlet, just months before his death, are less familiar.Now, a new film is bringin
0
4 👁
Latcho Drom director Tony Gatlif dies aged 77
Film-maker acclaimed for his celebrations of Roma culture had been working on a ‘historical film project’ in ProvenceTony Gatlif, the French director of more than 20 films that mostly concentrated on celebrating Roma culture across the world, has died aged 77.His family said in a statement to AFP that Gatlif died on Wednesday of “a health issue” while working on a “historical film project” in Arles in Provence, France. “The beauty of his films, his generosity, his joy, his poetry, and his love o
0
4 👁
Gal Gadot’s Wonder Woman was one of DC’s few successes. It’s a mystery why she got the chop
James Gunn and Peter Safran’s regime had good reasons to ditch Ben Affleck’s Batman and Henry Cavill’s Superman. Other choices have been much harder to fathomThere was never going to be a completely painless way to break up the old DC gang. Warner Bros’ DC Extended Universe probably needed to be ruthlessly ripped apart in order to create space for James Gunn and Peter Safran’s brand-new DCU. We almost certainly did need a clean break from the likes of Ben Affleck (Batman) and Henry Cavill (Super
0
4 👁
‘If you can’t understand what sex is, it’s irrelevant if you seem to be enjoying it’: how Queen at Sea upended the dementia drama
Lance Hammer’s first film in 18 years is a heart-wrenching masterpiece about family, mental decline and sexual consent. He and supporting actor Juliette Binoche discuss how they brought unabashed realism to a condition rarely seen on screenThe first time we see Martin and Leslie, the elderly couple at the centre of Lance Hammer’s wrenching new film, Queen at Sea, they are walking together up a set of stone steps: one of their regular outings, we assume, in days filled with pottering and quiet co
0
3 👁
Russian director refuses to denounce lead actor despite criticism from Ukraine
Ilya Khrzhanovsky’s DAU, about physicist Lev Landau, stars Russian conductor Teodor Currentzis, who has refused to speak out again…
💬 0
👁 6
Union Town review – passionate exposé of US delivery workers’ employment conditions
Film | The Guardian · 6d ago
💬 0
👁 4
DAU review – Ilya Krzhanovsky’s crazed Soviet inferno reaches its central character
Film | The Guardian · 6d ago
💬 0
👁 3
The Uprising review – the peasants are revolting in muddled historical epic
Film | The Guardian · 6d ago
💬 0
👁 3

Call My Agent! The Movie review – the gang get back together and c’est formidable
Film | The Guardian · 6d ago

Inglourious baristas: why is Brad Pitt making coffee for 16 abusive dogs?
Film | The Guardian · 6d ago

Blue Film review – polarising sex worker drama is well-acted and deeply disturbing
Film | The Guardian · 6d ago

Andrew Garfield takes on Sam Altman in creepy first teaser for Artificial
Film | The Guardian · Sep 8, 2026
‘It’s not good to walk through the world feeling like prey’: Thelma & Louise’s writer on turning a movie classic into a musical
It was her very first film and it won her an Oscar. But can Callie Khouri now make it work on stage with songs? She talks about th…
💬 0
👁 3
Susan Sarandon says she is losing movie roles because of her support for Palestine
Film | The Guardian · Sep 7, 2026
💬 0
👁 3
‘The first half of my 20s was hell’: Maisie Williams on her tough childhood and why she’s been having more fun since Game of Thrones
Film | The Guardian · Sep 6, 2026
💬 0
👁 3
Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
Film | The Guardian · Sep 5, 2026
💬 0
👁 5

Robert Pattinson says he had ‘twice as much time’ after birth of first child
Film | The Guardian · Sep 5, 2026

A Long Winter review – hope, desire and subversion in Andrew Haigh’s beautiful winter western
Film | The Guardian · Sep 5, 2026

Tender Loving Care review – Mike Leigh’s tender and elusive study of love and mortality
Film | The Guardian · Sep 5, 2026

Act 3 review – queer art history and life reflections from masters of metatextuality
Film | The Guardian · Sep 4, 2026
‘Like a tired boxer, battered by applause’: as Andrew Scott’s biopic premieres, Richard Eyre remembers Ian Charleson’s superb, near-death Hamlet
In 1989, the Chariots of Fire actor took on the incredible task of playing Shakespeare’s prince while terminally ill from Aids. Th…
💬 0
👁 4
Latcho Drom director Tony Gatlif dies aged 77
Film | The Guardian · Sep 4, 2026
💬 0
👁 4
Gal Gadot’s Wonder Woman was one of DC’s few successes. It’s a mystery why she got the chop
Film | The Guardian · Sep 4, 2026
💬 0
👁 4
‘If you can’t understand what sex is, it’s irrelevant if you seem to be enjoying it’: how Queen at Sea upended the dementia drama
Film | The Guardian · Sep 4, 2026
💬 0
👁 3