Nathan Fielder Is a Performance Artist in Disguise
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Editor’s Note: This review contains spoilers.As an art historian, it's hard not to relate what you see in everyday life to history — not in the sense that every lily pad recalls Monet or snowballs bring David Hammons to mind, but in the sense that sometimes art really does imitate life. This happened to me recently, maybe 10 minutes into Nathan Fielder and Lance Oppenheim’s You Can See Everything. I watched Fielder hold painful, prolonged eye contact with Elizabeth Holm
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