Listen out for Lanny: can Max Porter’s mythic tale of a mulch-guzzler really be heard in this woodland?
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Every sun-dappled object is an instrument as composer Dom Coyote and sound designers Elena Peña and Dave Price conjure trip-hop-inspired rhythms in the Mendips for a new stage adaptationThe woodland is stuck to our skin. Sound designers Elena Peña and Dave Price are hunched next to me, burying a microphone into mossy ground. Composer Dom Coyote is listening on headphones, crunching out a rhythm with his boot before shucking his shoes for a subtler sound. “It’s got to be socks off, Dom,” says Pri
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