Watch “The Midnight Parasites,” a Surreal Japanese Animation Set in the World of Hieronymus Bosch’s The Garden of Earthly Delights (1972)
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Hieronymus Bosch’s bizarre paintings might have looked perfectly ordinary to his contemporaries, argues Stanley Meisler in “The World of Bosch.” Modern viewers may find this very hard to believe. We approach Bosch through layers of Freudian interpretation and Surrealist appreciation. We cannot help “regarding the scores of bizarre monsters”—allegories for sins and punishments far more legible in 15th-century Netherlands—“as a kind of dark and cruel comic relief.”
While Bosch might have intended
While Bosch might have intended
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