Public Enemy’s Apocalypse 91 The Enemy Strikes Black Revisited 35 years on
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Public Enemy's fourth album is often overlooked but it's a true killer, says Angus Batey
When the greatness of Public Enemy is discussed – which is often, for the band were, and indeed still are, one of the most consistently inventive, provocative and excellent outfits of the recorded-music-as-business era – the focus inevitably falls on their second and third albums. It Takes a Nation of Millions To Hold Us Back routinely turns up near the top of the all-time lists assembled by people who care
When the greatness of Public Enemy is discussed – which is often, for the band were, and indeed still are, one of the most consistently inventive, provocative and excellent outfits of the recorded-music-as-business era – the focus inevitably falls on their second and third albums. It Takes a Nation of Millions To Hold Us Back routinely turns up near the top of the all-time lists assembled by people who care
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