Demon in the AI machine: bias, bad data and the burden of proof
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Picture a room where every photon bouncing off a doorbell camera, every acoustic reflection captured by a passing delivery drone, and every drop of ambient thermal noise is fed directly into a Bayesian inference engine. This is the courtroom depicted in director Timur Bekmambetov’s 2026 film Mercy, which delves deep into the murky boundary between artificial intelligence (AI) and human behaviour.
Set in 2029, the film features Los Angeles police detective Chris Raven, who is also the defendant,
Set in 2029, the film features Los Angeles police detective Chris Raven, who is also the defendant,
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