The Polish Pavilion Dissolves You in the Politics of Sound
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VENICE — I have spent much of my career as a crip curator and art historian thinking about how access is often treated as an afterthought — the ramp added late, the caption burned in at the last minute, the interpreter budgeted only if funds remain. What startled me most about Liquid Tongues, Bogna Burska and Daniel Kotowski’s installation for the Polish Pavilion at the Venice Biennale, is that access is not appended to the work; it’s the entire epistemology. As
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