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Henri-Charles Guérard, Composite print of Japanese masks and a death’s-head (1888), from the New York Public Library Digital Collections. Public domain.
“Wanna see a dead body?” Milo asks from the back seat. The 5 is a white blade under the Valley sun, everything bleached flat, overexposed as we fly toward Fry’s Electronics. It’s 1999. The Acura’s sweating leather sticks to my thighs. My skin feels amphibian, a tween-age Geico gecko blinking too hard, raw in the new light of too much consciousne
“Wanna see a dead body?” Milo asks from the back seat. The 5 is a white blade under the Valley sun, everything bleached flat, overexposed as we fly toward Fry’s Electronics. It’s 1999. The Acura’s sweating leather sticks to my thighs. My skin feels amphibian, a tween-age Geico gecko blinking too hard, raw in the new light of too much consciousne
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