A Vocabulary of Form: At Home With Sculptor Veronika Janovec
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“Is the equation between destruction and growth also a formula for art?” writes American postmodern novelist Kathy Acker in Against Ordinary Language: The Language of the Body, her seminal 1993 meditation on how weightlifting exposes the shortfall of words in capturing embodied experience. The question hovers at the edges of a visit to Slovak sculptor Veronika Janovec’s apartment in Kreuzberg, Berlin—part private home, part ongoing testing ground for the effect of her works within space. Its spa
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