The myth of Michael Jackson
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When I heard the film critics spluttering about Michael outside the screening room – it ends abruptly in 1988, with no mention of his copious child abuse allegations – I felt faintly sad. Not for the Jacksons, who controlled the production, nor for the disgraced Pied Piper of pop, wherever he may now be. But for those far down the food chain of the movie. The CGI team who rendered the faces of the menagerie – snakes, llamas, a stately giraffe – that stalks the Jackson family home. The audio team
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