Faces Of Death is a so-so slasher too wrapped up in its metafiction
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Cam and How To Blow Up A Pipeline filmmaker Daniel Goldhaber recognizes the inherent irony in making a modern, feature-length reference to Faces Of Death—a mondo movie famous for passing itself off as genuine snuff—at a time when the general public is confronted by more graphic images than ever before. Simply setting his horror film, co-written by his frequent collaborator Isa Mazzei, at the moderation department of a TikTok-like app (snidely called Kino) acknowledges that we’re inundated
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